Last night I was out with Liz and JimB and at some point they mentioned that HOOats is under attack by the Natives as this, it turns out, is the future site for the dreaded Middling City casino. Not the waterfront, really, as described by Middling City News, but a distance away on an industrial block with a few businesses, some open space. I drove a short way to this wreckage and felt like my parents's generation may have as they watched Olmsted's Delaware Park get sliced in half for an expressway. Progress and change and history slips away, bit by bit, in this Middling City. I watched as the cast iron bridges were torn down in my neighborhood/The Historic Old First Ward, told my engineers and planners and politicians that these were hazards and were too costly to fix. So I shot them, preserved their images, and down they crashed. Now HO Oats, immortalized by several photographically (YT, the Bechers, et al), is being wrecked by the Sovereign Senecas. They are saying that the brick portion of the grain elevator is getting yanked down (JimB pointed out his buddy's company name - Empire Dismantling) but not the elevators themselves. We shall see. The head of the Sovereigns stated that the Senecas were once chased from Buffalo Creek and now they are back, Forever.
About to embark on a sleuthy gig for a woman, documenting someone, unbeknownst to them, for a holiday gift.
Parting mantra: Industry is beauty.

Beautiful, industrial Love.

The year before the shit hit the NJP fan, the year when Dark Side of the Moon landed in my ten-year-old hands and changed my mind about all I thought I knew about understanding and poetry and such until that point, there was John and Yoko on Mike Douglas. Somehow I watched Mike Douglas, a grownup talk show in the late afternoon. (Somehow, also, I watched the inappropriate-for-kids Love American Style at lunchtime, munching on my pbj as I watched comedy about blow-up dolls, oral, and the like). These two took it over, so to speak, in '72 and I watched it all. The militancy, the guest artists, the staccato explanations of the way things were. And Mike, earnest Mike, watery-eyed, took it all in, as did I. The only way I heard the Beatles music and Lennon was via my older cousins as I was a freakin' kid with no money but an AM radio, cousins, a cast-off manual typewriter from my father in the basement on my grandfather's cast-off carved desk, and daydreams. I loved John before most men I have known (or sort of known) because of his earnest artist demeanour - that what he made is serious so, therefore, what you made is and could be, too. His music went beyond entertainment, became the music of dreams, of psyche, of inspiration, of pain, of all the everyday welts of life. His nose, in my opining, surpasses those of all others and remains the greatest nose that ever breathed upon the earth. His eyes were those that are a surprise, the type that no matter how many times you glance into surprise with their colour and depth. He wrote, drew, protested, loved, and still wanted to, despite the CPW situ and such, remain a pedestrian, someone who could walk in the park and breathe and be. John Lennon's legacy is to remind all artists that it's not only important to make work and be true to the muse, but to use the muse to push social change, what is good for the world, a goal that surpasses those flimsy goals of most politicos and so-called spirituals.
All we are saying is give peace a chance, he wrote as an artist, he said, to update the message of peace beyond We Shall Overcome.
Imagine.

Imagined Love.

Tomorrow is the 25th anniversary of John's death and I will not be in the Shiney Apple in Strawberry Fields as I was five years ago. But at midnight tomorrow night, wherever I find myself, I'll sing Imagine as They will be over there, as is custom.
To commemorate, celebrate John I've been looking at Memories of John Lennon which I bought last week - a compilation of essays by people who knew him.
I like what hardassed Norman Mailer wrote:
We have lost a genius of the spirit.
And the whole assemblage of Annie Leibovitz's rolls from the famed shoot mere hours before The End are in the book, You know, the famed clothed Yoko/naked John shots.
Last night, post free free jazz gig, had a band meet-up of sorts with ScottV and then suddenly Kunji, who was also there, presumed that she could join Our band, KnifeCall. I said diplomatically that Scott and I needed to have another band meeting to discuss. I threatened to leave the band and begin a solo career.
Kunji, not even a member (!) wants to change the name.
She also did not even seem agreeable to the band uniform.
The Who's Pictures of Lily (about porn & such, lest you did not hear the news about three decades ago) is on the hi-fi, a fine place to sign off in a post about feting life and creative expression, even if it involves some good-natured sparring.

KnifeCall Love.

ps: should You be so inclined, check out my FiveMinuteVideo, edited by supersonic Richard Wicka, @

This, Yours Truly is pleased to pronounce, is one well-researched blogpost: as in field work, a lifelong string of taste tests, and a half-assed Google search.
Wow, and what a Googling that was. And no Wikipedia ref . . . yet.
This holiday season (trust me, You must, this will be all handily tied together but you must slog through, like a well-hung Dickens paragraph) I would like to propse in lieu of guilt-addled resolutions (and I've blogged many a year about this practice of resolving) that each and every one of You instead embrace a guilty pleasure. And embrace this guilty pleasure, whatever it might be, at least once a month for in embracing such we embrace who we ARE, not what we think we might like to be. And by guilty I think of things that are silly, out of our alleged element(s), kitschy, crapful, puerile, adult.
A few days ago, while merrily lunching on a gas station tuna sandwich I came up with all of the above, now blogged to inspire You.
I have horrified some by my love of tuna (even eliciting tales of poisoned horror, warnings from strangers - the old retired engineer in midtown East, for one) to begin with and even more by my adoration of the gas station tuna sandwich. I am a food snob yet love them. It's like that Middling City sushi chef who dug hotdogs. I speak of him in past tense as he split the MC.
Perfect gas station tuna sandwiches have a strange sweetness (NOT like the egg salad sandwich I ate in the Shiney Apple this summer whose underbelly was covered with a black mold that tasted oddly sweet-n-sour... until I wretched it into a garbage can), are wrapped lovingly, have little chunks of color. Cost about $2.
Yours Truly plans on eating at least 1/mo. in '06.
Thanks for your tuna attention in this matter.
You can share your guilty, sanguine, secret pleasures with me any time before 12/31.

Guilty, delicious Love.

Lest you wonder.
Lest you wonder where Yours Truly might be post-asscrack-of dawn tomorrow.
You will find YT at a ribbon cutting at Middling City U.
Bright eyes, tail all bushy, as they say.
Meandering through my beloved SPIN I discovered there's a new Sigur Ros and that is also on tomorrow's make&do list.
And then there was an ad in the same issue for Lady Sovereign, which thrilled me as it jogged the memory of the words of rec by Mats as something to give a whirl to: he is a jazz star but one who straddles the world of alternative rock and sometimes combines the two in practice, who is not afraid to have The Thing (his trio'd jazz ensemble with guest *'s) cover, for a primo example, The White Stripes. Though you may not be able to hum along, it's the melodic and appropriative thought that counts.
So over drinks post-Thing gig Mats raved about Lady Sovereign, a young lady rap artiste.
And together we enthused about White Stripes' new one, a perfect assemblage.
I neglected to ask Mats if he ever puts forth a cd with any known weak links or if they are all, in his mind, or his producer's mind, a string of perfection.
String of Perfection, dang, another fine band name.
Bought last Beethoven's 3rd and 4th piano concertos, inspired by hearing one of them on a radio station beaming out of Toronto's environs - one of those perfect moments when music matches landscape. But, in record store situ, I could not recall if it was indeed B's piano concerto #3, #4, or #5. I figured that the Frenchies effusing over the recording must be doing such for a new recording so, super-sleuthically, I had Mary at B&N record centre Google away and she said there was a new v of #3 and #4. I have listened. I think it is the rondo of #4 that had me.
Interpol out of iTunes at this second is matching my landscape.
Without music life would be like food with no taste.

No taste = No love