(sung to tune of Love Machine, 70s Motown dance mega-hit)

I I I am a digital video editing ma-chine
And I don't work for nobody but Parsons
Oh oooh cha
A digital video editing machine...

I now have a plethora to send off to JR. And one, I swear, will be like so suitable for the next Whitney Biennial. No lie.
They are each little snippets of digital video editing mastery and the more I'm using this Final Cut extravaganza the more I'm meandering off the trail into black diamond territory, playing with scale, and other secret things.
About to jet off to Liz's girlie jewelry party for charity and find my sister some swingy earrings. Note to You: I do not have faux earholes. I do not wear earrings.
The last time I believe I attempted earrings was at the wedding of my beloved sister whose marriage (cue sit-com applause machine) went down in flames a few years back and whose d-word is now nearly final. (cue giant ovation)

After the jewelry purchasing power party Kennergy's free-jazz gig at Soundlab, renowned for serving the region's worst wine. At $3 per glass. O mighty God, if there is one, please prevent the temple squeezers from finding me if I so drink three of those glasses of rotgut that will rival the near-grain-alcohol vino of Thanksgiving Day when I served Stan and all the accoutrements. A-freakin-MEN.

Musing Love.

Well, file last night's charity event under Well, That Was Interesting.
First interesting fact is that I have the same, very-same, crimson chunks in my hair as does Robbie Goo and Carla, Mark Freeland's girlie companion.
Very same crimson, very same hair stylist.
Attended the VIP moment and ate about 6 Swedish meatballs and a rock sound guy queried if in Sweden the Swedes eat these. I thought not. The wine poured, the people schmoozed, the food disappeared.
Alison Pipitone played with her rollicking band and that was a highlight on the music end of matters.
Lead Boy Colleage and I spoke ever so briefly, told him about my beloved beau Kennergy who was not with me, he avoiding the rock scenario. O, velcro, I say.
I watched the video playing non-stop overhead and was delighted to hear that Yours Truly makes a cameo. It was described to me as TJ Zindle of Last Conservative fame and moi exchanging an Eskimo greeting, rubbing noses. And then, I saw it, this digitally-captured moment.
Have to FedEx off a dvd to JR for the grad student open house, sure to wow the masses my videos will be/are. Spoke with JR for a good long while yesterday, describing in full detail the work coming his way - a triumph. Triumph of use of adjectives, triumph of editing, triumph of shooting.

Triumpant, defiant Love.

A Johnny Depp look-alike meandered by in a gray poly-oly-um-cum-free suit. We danced a mean hustle. Afterwards, after twirling in a fashion that could best be described as near-arm-amputational (arms of Yours Truly), he growled in my ear Nice following, baby. The little vid made by Beth Dearest of the dancefloor encounter proves it to be not a good example of following, or leading.
Sky-high minis, sky-high 'fros, sky-drunk guys towards the evening's end, sky-high Leif Garrett of former idolatry (photographed by YT after collaring him and after his junkie eyes sort of focused upon where my voice emanated from), sky-high drink lines, sky-high bartenders in bowties, was the disco vibe.
Today I suffer from Convention Center Foot, the phenomenon that follows hours of fancy footwork upon a concrete floor.
Beth Dearest dared me (dared! me! what!) to dance with a cop guarding the point where those with all-access passes (me) could separate from the masses (them) and of course - suddenly - there I was gyrating in front of him. When the song was over he kissed me (kissed! me!) on the side of the neck and whispered into my nearby ear Thank you. It was such a touching disco moment.
Highlights Include:
Eric C not knowing who in hell Yours Truly was with my new colour-rich tresses and all, until I was practically on top of him.
Cell calls from Cheryl and Liz, somewhere in the morass.
Charlene Tilton, of Dallas fame, working up a sweat by the autograph stand where revelers were charged $10/Polaroid.
Finding a discarded Polaroid on the concrete floor of a chemical disaster that had beheaded the Polaroid's subjects = an artful triumph.
Discovering a cache of crap canned beers backstage and delivering them to the dancing girlies, and Myself.
Leaving and having to jump a curb to get out of the parking spot that I created.
Now to deadline day.

Concrete Love.

A Johnny Depp look-alike meandered by in a gray poly-oly-um-cum-free suit. We danced a mean hustle. Afterwards, after twirling in a fashion that could best be described as near-arm-amputational (arms of Yours Truly), he growled in my ear Nice following, baby. The little vid made by Beth Dearest of the dancefloor encounter proves it to be not a good example of following, or leading.
Sky-high minis, sky-high 'fros, sky-drunk guys towards the evening's end, sky-high Leif Garrett of former idolatry (photographed by YT after collaring him and after his junkie eyes sort of focused upon where my voice emanated from), sky-high drink lines, sky-high bartenders in bowties, was the disco vibe.
Today I suffer from Convention Center Foot, the phenomenon that follows hours of fancy footwork upon a concrete floor.
Beth Dearest dared me (dared! me! what!) to dance with a cop guarding the point where those with all-access passes (me) could separate from the masses (them) and of course - suddenly - there I was gyrating in front of him. When the song was over he kissed me (kissed! me!) on the side of the neck and whispered into my nearby ear Thank you. It was such a touching disco moment.
Highlights Include:
Eric C not knowing who in hell Yours Truly was with my new colour-rich tresses and all, until I was practically on top of him.
Cell calls from Cheryl and Liz, somewhere in the morass.
Charlene Tilton, of Dallas fame, working up a sweat by the autograph stand where revelers were charged $10/Polaroid.
Finding a discarded Polaroid on the concrete floor of a chemical disaster that had beheaded the Polaroid's subjects = an artful triumph.
Discovering a cache of crap canned beers backstage and delivering them to the dancing girlies, and Myself.
Leaving and having to jump a curb to get out of the parking spot that I created.
Now to deadline day.

Concrete Love.